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And should you release a game early, or put in some extra development hours. Simple decisions maybe, but the tension when it came time to release a new title was palpable. Game Dev Story, for the iPhone, is the only game to really capture the spirit of Software Star since.
Tools such as the The Quill, Graphic Adventure Creator (GAC) and the Professional Adventure Writer (PAW) saw a resurgence in the text adventure towards the end of the Spectrum's active life. And for me, it was the Behind Closed Doors games from Zenobi Software that marked the peak. The Spectrum has plenty of acclaimed, humorous text adventures - The Boggit and Bored Of The Rings stand pay day loan - but Behind Closed Doors deserves recognition for both its comedy and its imagination.
It's, basically, a hugely entertaining collection pay day loan games about being locked in the toilet. You'd never see that pay day loan a PlayStation. And you thought it was Grand Theft Auto that introducing the whole driving wherever you like around a city mechanic. Durrell Software published games that were notoriously rock hard, but that shouldn't cloud some of the firm's technical achievements. Turbo Esprit was a game where you could ignore the plot if you wanted, and just go for a drive around a seemingly living city (complete with traffic lights to, er, obey).
Four free-roaming cities were included in the game to explore, and while the main game was arguably less interesting than the technical breakthroughs here, it was long before Rockstar struck gold in learning that there's a lot of fun to be had going off piste. It was nothing special to look at, in truth, but it built on the already-impressive Ghosts 'N' Goblins, and with some style. Any game that reduces you to underwear when the undead get to you has to earn some credit from the off.
As it turned out, Ghouls 'N' Ghosts had an excellent platform game underneath all the humour. The last level's a killer, though. A controversial release, this one. The original Trashman made much entertainment out of collecting people's dustbins (in theory, a game about picking up rubbish was a gift for critics looking for a lazy headline.
Fortunately, Trashman was excellent). Travel With Trashman sent the title character on a litter-collecting adventure around the world. Thus, you had to choose which job you could afford to take, and make sure you collected enough rubbish before your money ran out.
The controversy arose with a part of the game which required you to collect tissues dropped at the Wailing Wall in Jerusalem. To my knowledge, no videogame game before it or since has asked you to do the same.
Travel With Trashman was, being blunt, brutally difficult, as the clock barely ever stopped ticking. But it was damn addictive too, and had circumstances prevailed, then a third game would have followed. However, while it was started, Trashman Through Time was ultimately abandoned. Author Malcolm Evans was also responsible for 3D Monster Maze on the ZX81, incidentally.
That one had no rubbish in it. Two quid they asked for Pippo. For one of the most criminally addictive Spectrum games I think I ever played. Pippo executed it really, really well though, before then adding in creatures, pick-ups, and a big blob of a creature at the heart of it all.
In more litigation-prolific times, the author of Pippo may well have been sent a letter. As it stood, they took someone else's already strong idea, added some quirks, and made it even better. Comfortably, for me, one of the ten most addictive games to ever grace the Speccy. The finest isometric adventures on the Spectrum would have to be Jon Ritman's duo, Batman and Head Over Heels. I'm going to talk about another game shortly that was draped in the clothes of Hollywood detective noirs, but M.
Inevitably slow moving, M. You think Microsphere, and the games that instantly spring to mind are the rightly-regarded Skool Daze and Back To Skool. Both of them are the kind of games that either wouldn't get past a pitch meeting now, or would be subverted into something 'edgier', along the lines of Bully. There is a sort-of forgotten Microsphere title, built around the same technology that powered the Skool games, and the glorious detective yarn, Contact Sam Cruise.
Written by David Reidy, with Keith Warrington providing the distinctive graphics, Sam Cruise pay day loans is a private detective who could have been pulled out of any number of noir movies of old. The scope and scale remains impressive today, and the underlying humour is just one example of the attention to detail at work. The only thing that lets the side down slightly is the catapulting over bullets being aimed at you.
Which was and is a bit of a sod.
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